{"id":382,"date":"2016-10-20T18:11:54","date_gmt":"2016-10-20T18:11:54","guid":{"rendered":"http:\/\/cadengrant.com\/basic\/?p=382"},"modified":"2018-04-28T02:06:42","modified_gmt":"2018-04-28T02:06:42","slug":"gao-bo-tibet-19952003","status":"publish","type":"post","link":"https:\/\/www.gaoboarts.com\/fr\/exhibition_press\/gao-bo-tibet-19952003\/","title":{"rendered":"Gao Bo Tibet 1995\/2003"},"content":{"rendered":"<p class=\"p1\"><a href=\"http:\/\/www.gaoboarts.com\/wp-content\/uploads\/2016\/10\/Publicacion_vugallery.pdf\">PDF Photographers<\/a>\u00a0 \u00a0\/\u00a0 \u00a0<a href=\"http:\/\/www.gaoboarts.com\/wp-content\/uploads\/2016\/10\/Pdf_press_.pdf\">Download PDF Press<\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">2003 \u201c Gao Bo Tibet 1995\/2003\u201d, Vu Gallery, Paris, France<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cOn pourrait dire que ce \u201cportrait\u201d du Tibet, qui s\u2019organise dans la tension entre des images de voyageur et des portraits, est enti\u00e8rement structur\u00e9 par l\u2019affirmation de point de vue, de subjectivit\u00e9, de pens\u00e9e que constituent les doubles visions, r\u00e9duisant \u00e0 n\u00e9ant l\u2019apparence de certitude qui traverse les repr\u00e9sentations photographiques pour nous obliger \u00e0 penser une globalit\u00e9.<span class=\"Apple-converted-space\">\u00a0 <\/span>Ainsi un microcosme, un territoire bien d\u00e9fini dans sa g\u00e9ographie r\u00e9elle nous renvoie \u00e0 une conception du monde.\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Gao Bo Photo Tibet 1993-1995<span class=\"Apple-converted-space\">\u00a0 <\/span><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Pr\u00e9face de Christian Caujolle \\ \u00c9t\u00e9 1995<\/span><\/p>\n<p class=\"p1\">","protected":false},"excerpt":{"rendered":"<p>PDF Photographers\u00a0 \u00a0\/\u00a0 \u00a0Download PDF Press 2003 \u201c Gao Bo Tibet 1995\/2003\u201d, Vu Gallery, Paris, France \u201c\u2026One could say that this &#8220;portrait&#8221; of Tibet which organizes itself around the tension between the images of the traveler and the portraits is entirely structured by the affirmation of point of view, of subjectivity, of a thought which [&hellip;]<\/p>","protected":false},"author":1,"featured_media":991,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":[],"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/posts\/382"}],"collection":[{"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/comments?post=382"}],"version-history":[{"count":9,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/posts\/382\/revisions"}],"predecessor-version":[{"id":2140,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/posts\/382\/revisions\/2140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/media\/991"}],"wp:attachment":[{"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/media?parent=382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/categories?post=382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaoboarts.com\/fr\/wp-json\/wp\/v2\/tags?post=382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}